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Author Topic: Masking for a complicated paint scheme  (Read 2865 times)

Online Matt Colan

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Masking for a complicated paint scheme
« on: April 06, 2009, 07:34:57 PM »
I came up with a paint scheme for the Oriental Plus, and it is kind of complicated.  I have never gone more than 3 colors because of the masking time involved.  I have 4 colors on this one.  Most of it is straight lines but I have a checkerboard on it.

I have 2 questions:

1) what is a good way to mask out checkerboard paint?
2) Is there a quick way of masking out this paint scheme?  Back masking is what I seem to be the best way.

Edit:  I still have to build the plane before I build it, but I'd figure I'd ask before I start finishing.

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Offline Randy Powell

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Re: Masking for a complicated paint scheme
« Reply #1 on: April 07, 2009, 10:44:49 AM »
Hi Matt,

Well a couple of things. First is backmasking. You really only need to backmask (unless your are concerned about weight) if color butt against each other. I you plan a paint scheme that has some space between trim colors, then you can generally tape all the trim colors at once then just cover up whatever you don't want painted for each color then pull all the tape at once. If the trim color back up against each other, then you can tape of the lines and overspray onto areas that are going to get another color anyway. It takes some planning to minimize the amount of taping and masking to do. Taping refers to the tape (usually vinyl) that you use for the paint edge. Masking is what you do to cover the area you don't want painted.

As far as checkerboard, there are a number of ways to do it and I'm sure others will chime in with their own methods. With me, it depends on how complicated the scheme is and how many compound curves it goes around. If it's mostly flat or relatively flat areas, then I use vinyl or frisket paper to cut out the checkerboard and lay it out. If the checkerboar wraps around wing tips or other compound curve surfaces, then I just use vinyl tape and methodically tape the thing off (often a several hour job). One method I tried on the last checkerboard scheme I did was to use paint on vinyl then cut the area on the plane. Realy tedious and in some ways harder since you have to be ridiculously careful not to puncture paper or cut into the wood. The stuff cuts very, very easily and will tear easily. Takes some practice.

Hope that helps. Some anyway. If you can find the thread on Eric Viglione's last plane, he shows a very good strategy for taping without a lot of backmasking.
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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #2 on: April 07, 2009, 02:51:22 PM »
here is what I plan to paint the Oriental Plus in.

Red = Miss Ashley Red
Blue = Insignia Blue
white = Insignia white
black = Jet Black

I plan to paint this in all Brodak colors
Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #3 on: April 07, 2009, 02:52:26 PM »
Here is what I plan to paint the wing and stab in.  Same trim so I'll only show the wing.

Edit:  I am thinking of painting the whole plane in silver as a base.  On Windy's videos he silvers the whole plane so he gets better coverage.  Then I would put the white, blue, red and black on.  Maybe I'll leave a silver strip in between colors on the fuselage so then I would back mask that.

« Last Edit: April 07, 2009, 03:09:15 PM by Matt Colan »
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Offline Glenn (Gravitywell) Reach

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Re: Masking for a complicated paint scheme
« Reply #4 on: April 07, 2009, 04:56:02 PM »
Thats an awesome paint scheme Matt....gosh I hate you guys that can do that! LOL  Well.....I'll just have to steal that one.  I live far enough away that I should be able to say its my own idea....yeah yeah, thats what I'll do! LL~  Very nice scheme.....not too fancy and nice bright, easy to see colours.
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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #5 on: April 07, 2009, 08:08:25 PM »
Thanks Glenn, what I do is look at different paint schemes that I like and then start drawing up some schemes.  I think i made close  to 18 diffrerent paint schemes before I made this one and I liked it enough to paint it on the plane.  I think this paint scheme has a sort of racy feel to it.

Oh and I got the profile scheme from Bob Hunt's red white and blue saturn

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Offline RC Storick

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Re: Masking for a complicated paint scheme
« Reply #6 on: April 08, 2009, 07:58:14 AM »
Windy is a great finisher no doubt about it. Let me save you some grief I would re think using silver especially if your doing a complicated paint scheme. Silver has poor adhesion property's. If painting the plane white use white with some black mixed in to get a light gray for base. If you have to have silver be sure to top coat it with 60%-40% clear first but I highly recommend you don't use silver as a base.

Ask Randy Ryan how he did his saber as he might know some tricks on silver.
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Offline John Miller

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Re: Masking for a complicated paint scheme
« Reply #7 on: April 08, 2009, 10:36:22 AM »
Bob is absolutly correct on this Matt. Silver works but you better coat it with thinned clear before any other paints are applied. I've learned this the hard way, when the tape pulls up evrything down to the silver.
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Offline steve pagano

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Re: Masking for a complicated paint scheme
« Reply #8 on: April 08, 2009, 10:39:28 AM »



     I've had that happen to me more then once. When it comes to base color I use brodak Polar Grey. Seems to work fine.

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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #9 on: April 08, 2009, 12:57:29 PM »
Windy is a great finisher no doubt about it. Let me save you some grief I would re think using silver especially if your doing a complicated paint scheme. Silver has poor adhesion property's. If painting the plane white use white with some black mixed in to get a light gray for base. If you have to have silver be sure to top coat it with 60%-40% clear first but I highly recommend you don't use silver as a base.

Ask Randy Ryan how he did his saber as he might know some tricks on silver.

well then, I guess I'll use regular auto primer, which I normally use.  But I've heard and seen red is a tough color to get right.  The base color always seems to bleed through so I guess that would be the first color I would put on and then back mask the red and paint on the white.  That is what I am thinking of doing.

On the Ares, I put a coat of auto primer, sanded it, then I out a coat of silver on, and sanded that.  Then I put my last coat of primer and just sanded it smooth.  After that I put my base color on.

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Offline Randy Powell

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Re: Masking for a complicated paint scheme
« Reply #10 on: April 08, 2009, 01:03:48 PM »
Robert is correct. I you use silver as a base, make sure you shoot it with a heavily thinned coat of clear. I actaully use 20/80 spilt. I didn't do that with my last PA plane and I paid for it in spades. Not a thing I will do again (should have know that metallics are just as bad as regular silver).

Buy yourself a box of one sided razor blade. They work really well for cutting 3M blue vinyl tape (or Finesse Pinstripping tape that I tend to use). With this scheme, you should be able to tape it off all at once if you shoot the white first.

Nice scheme, by the way.
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Re: Masking for a complicated paint scheme
« Reply #11 on: April 08, 2009, 01:11:38 PM »
Robert is correct. I you use silver as a base, make sure you shoot it with a heavily thinned coat of clear. I actaully use 20/80 spilt. I didn't do that with my last PA plane and I paid for it in spades. Not a thing I will do again (should have know that metallics are just as bad as regular silver).

Buy yourself a box of one sided razor blade. They work really well for cutting 3M blue vinyl tape (or Finesse Pinstripping tape that I tend to use). With this scheme, you should be able to tape it off all at once if you shoot the white first.

Nice scheme, by the way.

I use that tape for all my curves in the paint scheme.  we have both 1/8 and 1/16 inch tape.  I really like this tape because it does work well, and it is flexible.  Masking tape is not flexible.  I also make templates like I did for my smoothie, and I cut out the plans for the trim for the Ares to get it layed out.

Glad you like the scheme  H^^

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Offline Randy Ryan

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Re: Masking for a complicated paint scheme
« Reply #12 on: April 08, 2009, 07:52:24 PM »
Hi Matt,

Robert and Randy are certainly correct, a coat of highly thinned clear will act as a binder for the silver. But also do this, use a little heat when you remove the masking. I use a Monokote heat gun on low, it doesn't take much, warm the end lift it then just put light tension on it and run the heat on the tape and you will feel it release. I use heat to remove masking no matter what anymore, it just isn't worth the risk of pulling paint. I've even had opaque colors lift off prime using low tack tape so the adhesive qualities of our current dopes are not what they were 30 years ago. I think some of the EPA's do-gooder edicts have brought this about.
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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #13 on: April 10, 2009, 06:48:37 AM »
Hope that helps. Some anyway. If you can find the thread on Eric Viglione's last plane, he shows a very good strategy for taping without a lot of backmasking.

Randy, I found Eric's masking thread.  Here is the link if anybody wants to see it http://stunthanger.com/smf/index.php?topic=10829.0  He does show a good way of masking, and I'm trying to visualize me using this method on my plane.

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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #14 on: April 10, 2009, 09:09:17 AM »
Matt,
one other thing to think about is sequencing. The typicall scenario prefers lighter colors to go down first when possible.
I would be aware of the fact, especially with laquer, that if you try to spray over red, it can soften and bleed through whatever you put over it,,
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Re: Masking for a complicated paint scheme
« Reply #15 on: April 10, 2009, 11:17:25 AM »
This is why Mark, I would want to spray the red only where it should be sprayed on my scheme, then backmask it for the white.  Then I would spray the blue over the white, and then that strip of black.

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Offline Bob Reeves

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Re: Masking for a complicated paint scheme
« Reply #16 on: April 10, 2009, 11:20:04 AM »
Spray your red over white and do not spray anything over red.. If your base isn't a flat color it will show through. Discovered this the hard way thinking red would cover almost anything, well it is a dark color.. It won't and only spray it over a blotchy surface if you like sanding.

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Re: Masking for a complicated paint scheme
« Reply #17 on: April 10, 2009, 11:25:55 AM »
My grandfather learned the hard way also.  He sprayed red over black and the black bled throught horribly.  He sprayed  on close to 6 coats of red and it was still bleeding through.  He decided to strip it and refinish it, and the silkspan became like wallpaper (I'm not kidding), it was that thick.

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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #18 on: April 10, 2009, 12:17:15 PM »
I would personally think about shooting the whole airplane white, then masking each trim color out to spray it one at a time, though you could mask all the trim, then cover each section to spray that color,,but putting the red over white base is a REALLy good way for the red to have good intensity and apparant coverage.
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Offline Randy Powell

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Re: Masking for a complicated paint scheme
« Reply #19 on: April 10, 2009, 02:27:05 PM »
Mark,

That's the truth. On the profile I just did, I shot the whole thing white first. Then masked off the canopy and the stripe down the fuse then taped off and sprayed the red. The white was decent coverage (or as good as you can get with one coat), but pretty thin overall. Then I masked and sprayed the yellow. Sure can't tell how thin I did the white and the red and yellow really jump.
« Last Edit: April 14, 2009, 02:51:18 PM by Randy Powell »
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Offline Allan Perret

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Re: Masking for a complicated paint scheme
« Reply #20 on: April 10, 2009, 10:06:09 PM »
As far as checkerboard, there are a number of ways to do it and I'm sure others will chime in with their own methods. With me, it depends on how complicated the scheme is and how many compound curves it goes around. If it's mostly flat or relatively flat areas, then I use vinyl or frisket paper to cut out the checkerboard and lay it out.
I used Frisket on my most recent job.  Had a little bit of an issue with it, and it was touch and go for a while.  Was spraying Sig trim colors, 40%color, 50%thinner, 10% retarder.  After about 10~15 minutes the mixture would melt thru the Frisket film and soften it's adhesive so that some of the adhesive stayed on the surface, even though I could see it happening and removed the Frisket right away.  Let it set a while and them was able to remove most (but not all) of the glue residue with an alcohol wipe.  When I attempted to wet sand the still remaining residue off I ended up with some staining of the lighter base color with the sanding paste create by the darker trim color.  On later uses of the Frisket,  I would mask over it as much as I could, leaving only the very edge exposed. It still softened the edge, but I was successfull getting it all off with the wipe.  Seems I had used the Frisket some time back and didnt have this problem at all.  Dont remember if on that occasion I was using retarder..
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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #21 on: April 10, 2009, 10:11:14 PM »
FWIW, Frisket comes with many different adhesive types. A great deal of it is sold for use with watercolor, and gauche ( spelling?) type paints,, all water based media. There are frisket mask that are formulated specifically for use with solvent based media however use of something like retarder will greatly add to the potential for grief.
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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #22 on: April 11, 2009, 06:13:51 AM »
I used frisket for my numbers on the Ares and didn't have that trouble.  I can't remember what brand it is since I don't build at my house, I build at my grandparent's house.  My grandmother says she's going to put me on her income tax, I'm over there that much.

Edit:  how hard would it be to mask this off, or should I just get somebody that makes decals.
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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #23 on: April 11, 2009, 09:51:11 AM »
Matt,
that is a pretty fine type style,, fine as in , narrow. Narrow lines are difficult to cut ormask cleanly. any variation in the width of the letter will show. Were it me, I would look to have a sign shop cut it for you on thier vinyl plotter with gerber mask
that being said it is your creation, and you may give it a go on your own with a sharp #11 blade and frisket. ( off the airplane I might add,,,,, ;D)
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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #24 on: April 11, 2009, 10:36:50 AM »
On Clint Ormosen's Playboy, did he get a mask for it or was it a decal.

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Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #25 on: April 12, 2009, 07:02:24 AM »
I fooled around with the numbers and letters on Word and I came up with this.  I plan on getting decal paper and printing this out on that paper because this is way to difficult to mask.

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Offline Claudio Chacon

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Re: Masking for a complicated paint scheme
« Reply #26 on: April 13, 2009, 04:01:21 PM »
I fooled around with the numbers and letters on Word and I came up with this.  I plan on getting decal paper and printing this out on that paper because this is way to difficult to mask.



Hi Matt,
I don't know which the final size of your lettering will be, but let me suggest you something:
Large waterslide decals made out of decal paper are very prone to break while applying them over the surface. As you can imagine, the decal film is VERY thin and fragile. In my experience, no matter how careful you are, they will break in some place while you are in the process of getting rid of air bubbles and wrinkles, and even maybe while sliding it over the wing.
Plus, I can anticipate another drawback: the edge of the decal will show up later and I'm sure you will not like this.

I think that the best way for you to do that nice lettering is using a plotted, low tack vinyl stencil mask and your airbrush. You'll be MUCH happier with the results.
Use the decal paper for smaller placards, small lettering and so on (as the ones shown in the pictures).

Later,
Claudio.


Online Matt Colan

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Re: Masking for a complicated paint scheme
« Reply #27 on: April 13, 2009, 04:14:59 PM »
Hi Matt,
I don't know which the final size of your lettering will be, but let me suggest you something:
Large waterslide decals made out of decal paper are very prone to break while applying them over the surface. As you can imagine, the decal film is VERY thin and fragile. In my experience, no matter how careful you are, they will break in some place while you are in the process of getting rid of air bubbles and wrinkles, and even maybe while sliding it over the wing.
Plus, I can anticipate another drawback: the edge of the decal will show up later and I'm sure you will not like this.

I think that the best way for you to do that nice lettering is using a plotted, low tack vinyl stencil mask and your airbrush. You'll be MUCH happier with the results.
Use the decal paper for smaller placards, small lettering and so on (as the ones shown in the pictures).

Later,
Claudio.



Claudio, that is the size the numbers and letters would be.  That is on 8 1/2x11 inch paper landscape.  On my Ares, I have that edge on it that is ok (ok meaning it isn't great, but not horrible).  There is a graphics store in my area, so I could see if they'll make me a mask of it in that font.  When I put the Ares decal on the wing, it tore, but I got it back together close enough that you have to look really close to find the tear mark.

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Offline john e. holliday

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Re: Masking for a complicated paint scheme
« Reply #28 on: April 14, 2009, 09:44:23 AM »
On Clint Ormosen's Playboy, did he get a mask for it or was it a decal.




It was done by Jim Snelson at CLC.  Guess Clint hasn't seen this yet.  Why don't you PM Clint, he is in the members list.  DOC Holliday
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Offline Randy Powell

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Re: Masking for a complicated paint scheme
« Reply #29 on: April 14, 2009, 10:05:57 AM »
Yea, going to a sign shop and having them cut you a vinyl mask is really a good option. Most aren't too expensive. Last time I did this, I printed out what I wanted using WordArt and wrote the font type on the sheet. Took it to the sign shop and he cut it, no problem. Works pretty well.
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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #30 on: April 14, 2009, 10:19:47 AM »
Randy,
maybe its time for me to get my cutter out and functional huh?
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Offline Randy Powell

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Re: Masking for a complicated paint scheme
« Reply #31 on: April 14, 2009, 02:52:31 PM »
Mark,

Ya thiink?
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Offline Mark Scarborough

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Re: Masking for a complicated paint scheme
« Reply #32 on: April 14, 2009, 04:41:22 PM »
well,, i could list the excuses,, I mean reasons,, but they would be the same ones I use for the 109 not being done yet
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